6 things in motion
On rotationHot Chip · La Roux · Jungle · Erlend Øye · Gossip · Oscar and the Wolf · Charlotte Adigéry · Telefon Tel Aviv · The xx · Roosevelt · Arsenal · Agar Agar

×Writing
On 'Spinning Gears' (Cogwheels) — Akutagawa's hallucinatory final story, paranoia and dread circling the edge of a breakdown.

×Reading
Acclaimed mythographer, storyteller and Christian thinker Martin Shaw argues that we live in a myth-impoverished age, and that such poverty has left us vulnerable to stories that may not wish us well. Drawing on the 'ancient technologies' of myth and initiatory rite, he offers a road to wholeness, maturity and connection.

×Reading
Written in 1943, when Weil — unable to join the French resistance — worked in London for the Free French government in exile, commissioned to outline a plan for Europe's renewal after Nazism. She seized the chance to denounce the false values of contemporary civilization, seeing in the cult of material things a devastating loss of spirit, and of human values.

×Writing
Reading Borges' infinite library as an absurdist universe — and asking whether Sisyphus, wandering its hexagons forever, must be imagined happy.

×Writing
Writing about my own experiences of AuDHD through the lens of Peter Wessel Zapffe's famous essay on human consciousness and the burden of self-awareness.

×Reading
Drawing on Heidegger, Nietzsche and Arendt, Han argues we can overcome our temporal crisis only by revitalizing the vita contemplativa and relearning the art of lingering.

×Reading
Ryūnosuke Akutagawa (1892–1927) is one of Japan's foremost stylists — a modernist master whose stories are marked by original imagery, cynicism, beauty and wild humour. Tales like 'Rashōmon' and 'In a Bamboo Grove' turn morality upside down; in later works such as 'The Life of a Stupid Man' and 'Spinning Gears' he drew on his own life to devastating effect, revealing his melancholy and terror of madness.
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×Reading
Cultural theorist Byung-Chul Han reinvigorates aesthetic theory for our digital age, interrogating our preoccupation with all things slick and smooth — from Jeff Koons's sculptures and the iPhone to Brazilian waxing. Beauty today is a paradox: ubiquitous but stripped of transcendence, reduced to the aesthetic dimension of consumerism, its sublime and unsettling aspects giving way to corporeal pleasures and 'likes' — a kind of 'pornography' of beauty.
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×Writing
Writing on Han's smooth beauty — what art loses when it can no longer disturb, only please.
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×Making
Animating and filming footage for a video essay exploring my relationship with my dogs through Buber's philosophy of I/Thou.
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